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Cave Motifs in Chinese and Armenian Literature: Portals to the Mystical World and Their Literary Legacy
ANNA ADAMYAN
Anna Adamyan is from the Republic of Armenia. She is currently pursuing her PhD in Philosophy and Religious Studies at Nanjing University, Nanjing, China. She holds two master’s degrees, one in Religious Studies and the other in Theology.
Her research interests encompass various aspects of Armenian Chinese connections, focusing also on Chinese religions, notably Daoism, and exploring the Armenian Chinese concepts surrounding death and the underworld. Additionally, she is intrigued by the historical interactions between the Armenian Apostolic Church and other religious traditions.
Her published articles are RELIGIOUS STATUS IN THE PEOPLE’S REPUBLIC OF CHINA (Journal of Oriental studies XVII, Yerevan State University, 2021, p.139-149.), “THE TAOIST MODEL OF AN IDEAL SOCIETY” (SCIENTIFIC ARTSAKH, Yerevan, № 3 (18), 2023, p. 89-99).
The Formation of the Western Tradition of the Still Life Genre with the Inclusion of Chinese Porcelain
ANI MARGARYAN
Ani Margaryan holds a PhD in Arts and Humanities and is currently a post-doctoral fellow in the Faculty of Arts at Soochow University.
Ani has won several awards and scholarships for her academic achievements, including being named “The Armenian Art Historian of the Year” in 2022 and the Jiangsu Government Scholarship in 2021. She has authored 20 scholarly articles and has participated in more than 12 international conferences.
She is the founder and content writer of the first analytical website on Sino-Armenian cultural exchanges and has been appointed by the government of Armenia as the Diaspora Youth Ambassador in China.
Fashion, Tradition, and Identity:Comparative Analysis of zhigong tu 職貢圖 and European Costume Books
Martyna Szoja
Art and Literature
The Art and Literature section covers Chinese art, literature, and culture. Articles in this section can analyse topics such as Chinese painting, calligraphy, literature, music, theatre, and film.